Friday, 8 February 2013

[ within 'the cracks within'... fiwt remixes | ms fundraising ]

I've never been particularly fond of remixes on the whole, possibly because all too often they jar with the mood and sentiment of the original, and perhaps I’ve heard one too many lazy efforts that essentially slap vocal samples over an unrelated dance beat...

So, what better way for me to kick-off 2013 than with a remix collection?! ;-)

As far as I'm concerned 'Faith in Worthless Things' was complete the moment I sent the masters to the pressing plant. I'd worked on it a long time, and If there were any inclination (on my part) to tinker further I would have done so back then – The CD / download is the default version and it is what it is... I did briefly consider remixing a couple of tunes for a proposed single release, but having already ingrained my DNA into the originals I wasn’t suitably motivated to reinvent the wheel. Better to save my creative energy and ideas for a follow-up album, (which, incidentally, is already in gestation).

But then it dawned on me – I'm fortunate to have a lot of talented musician / producer friends, each with their own unique sonic language. The idea of a specially curated album of remixes by some of these guys & girls began to appeal. If presented as a body of work, rather than random one-off mixes floating around the web, it could be an interesting and musically valid spin-off from the album.

I approached several people that I pretty much knew would sidestep those remix clichés I loved to loath, and luckily they all said yes immediately! One of the rules I set myself was to only invite folks that hadn't appeared on the parent album, though I immediately broke that directive by asking Tim Motzer! ;-) He's the exception though, and his mix is of a track he didn’t originally feature on.

So, what songs to include? Whilst the production and arrangements of all the songs on 'FiWT' were important – almost an extension of the songwriting really – there were a couple of pieces that felt more readily open to reinterpretation: 'The Inner Voice', which was the closest thing to a conventional pop song on there, plus the title track which was musically quite sparse (deliberately so). Both also had particularly suggestive lyrics that might help conjure fresh musical ideas. Compiling an album that features only two songs might have been limiting, but I had faith (see what I did there?) that the material would be diverse enough to carry it. So that was that - I gave the remixers the choice of either song, (Ingo Vogelmann opted to tackle both), prepared audio stems from my original mixes, and handed the reins over...

The only real brief I gave was for them to follow their gut and do what felt right. I also asked that they respect the lyric and try not to break it up too much – Thankfully Tobias Reber ignored the latter request and significantly rearranged the words, but did so in a brilliant way that enhanced his rendition and still managed to convey the core 'message' in a stark and beautiful fashion :-)

Here's the full cast of remixers:

Tim Motzer (track 1)
Tobias Reber (track 2)
Worldengine (track 3)
Hollowcreature (track 4)
Ingo Vogelmann (tracks 5 & 9)
Adrian Benavides (track 6)
Branwen Somatik (track 7)
Fabio Trentini (track 8)

I'm truly grateful to all of these folks for their enthusiasm and creativity!

'The Cracks Within' came to me as a title almost from the outset. Not only is it a quote from the song 'Faith in Worthless Things' but it seemed especially fitting as these mixes would to some extent be exploring the sonic cracks (or 'grooves' if we're gonna be old-school) within my original arrangements. Together with designer Oscar Henriquez (who had worked on the previous release) I put together a deliberately stark cover design for the collection, one that echoes a particular detail of the (physical CD) packaging for 'FiWT' - It also alludes to the eight remixers in an abstract (but probably obvious now I've said it) kinda way...

As for the results? Well both my co-featured artists (Lisa Fletcher and Markus Reuter) and I are delighted! No two pieces are alike. There's "something for everyone", as the saying goes... Some renditions are alternate views of the originals, whilst others are almost new compositions entirely, built around the lyrics and vocal melody. It's a good balance I think, and whichever approach has been taken all of them are clearly linked to their origins. I think in summary I would describe this collection as a "sonic parallel universe" to that which is presented on 'Faith in Worthless Things'.

It's been interesting for me to see / hear the various angles explored by individual remixers. Some choices I wouldn't have made, but that's entirely the point! They are fascinating nonetheless :-) I only got directly involved on two or three occasions, after being actively invited to give feedback, and even then my comments were minimal – I didn't want to influence anyone's stylistic approach or expression. For the most part I stepped back.

I'm pretty sure that I'll work with several (possibly all?) of these folks again, and not only in a remix capacity. So the project also has added value to me as R & D for potential future collaborations :-)

During the process I considered several different distribution models for the project, including pressing a physical CD. But ultimately that wouldn’t have been cost-effective, and whilst it's presented as a collection it's not really the follow-up album to 'FiWT', so better to make that distinction. Plus, I wanted to ensure that as many folks as possible got to hear this work, so it made sense to keep it online and essentially FREE.

Having decided not to personally benefit financially from this release I wanted to see to it that at least some money would go to a very deserving cause - Therefore everyone who downloads the album is invited to consider making a donation to the MS Society, a (UK-based) charity that supports those with MS (Multiple Sclerosis) and helps fund much needed research into this currently incurable disease. My mother has a very extreme case of MS that has rendered her mostly paralysed, so it’s a cause that is very close to my heart.


I have no qualms about adopting a Bob Geldof style persona for this bit: If you download the music and get some pleasure from it PLEASE CONSIDER DONATING to the MS SOCIETY. Think of it as 'sponsorship' for the music... Thank you :-)

The best way to support the fundraising is to make your donation via the special 'Just Giving' page I've created for the project, (either click on the image above, or go HERE...) Just Giving pass the money securely and transparently to the MS Society, so it's a clean and simple way to get involved.

Alternatively, any donations made via the Bandcamp page for 'The Cracks Within' will be manually transferred by myself to the Just Giving fund. Some folks have already done this... PLEASE NOTE however that Bandcamp take a 15% cut of the transaction, whereas Just Giving will pass all your money onto the charity.

The choice to donate or not is yours... Either way, we hope you enjoy the remix collection and ask that you share all the relevant links (Bandcamp download & Just Giving) with any friends and contacts that you think may be interested. Thank you!

Lee x

Tuesday, 29 January 2013

[ fiwt voted 'best album' by progopolis ]

The lovely folks at (US radio show) Progopolis have chosen 'Faith in Worthless Things' as their 'Best Album of 2012' in the show's annual "best-of" roundup :-)

I'm hugely grateful to hosts Vince & Daisy Jane for their ongoing support. Some of you may recall that Vince previously published positive reviews of both 'FiWT' and 'Propeller' (a previous production of mine), both of which are reproduced in the Reviews section of this site.

Previously broadcast Progopolis shows (including the aforementioned episode) are available to stream or download HERE, or by clicking the image below...


The show is always great fun, with a truly eclectic mix of tunes that go way beyond what one may readily think of as 'prog' music...

You'll also find them on the ol' Book of Face (of course).

Stay safe.

Lee x

Wednesday, 23 January 2013

[ tribe magazine ]

At the end of 2012 I was approached by Tribe Magazine (digital purveyors of contemporary arts) and invited to join the management board as a Trustee. Having followed their excellent work from issue one it didn't take me long to accept...

Today marks the organisation's first birthday, so what better time to properly announce my association and encourage friends and followers to check them out :-)

More than a 'just' a digital magazine, Tribe is an arts platform created with the sole intention of showcasing the best in creative arts practice from around the world. Free to the end user, with no adverts or sponsored content, yet the same high standards one would expect from a premium print publication.

Whilst the focus has primarily been on the visual arts to date selected musicians (such as Steve Jansen in issue one) have been under the spotlight too. Over time this element will increase, not only in the magazine but via the website's associated features - This is an area where I can give particular strategic assistance to the editorial team...

Naturally there's also the obligatory Facebook Page for those who like to "like"... And don't we all? ;-)

Please show them some love - They'll love you for it, (and you may discover some wonderful art in the process).


Lee x

Tuesday, 15 January 2013

[ interview - pt 1 ]

Denis Rodier of Specimen 13 (whose 'Echosystem' EP I mastered) recently interviewed me for the S13 blog. You can view part one here, (or by clicking the image below).

The second instalment will be published in about a fortnight...


DJ / Producer / Composer Ingo Vogelmann also links to the above-mentioned interview in a recent blog, as well as sharing his thoughts on 'Faith in Worthless Things' (which he describes as "one of my top albums of 2012/2013...") Again, click on the image to get there.


Thanks guys! I'm honoured to have the support of such talented folks :-)

Lee x

Sunday, 30 December 2012

[ 2012 roundup ]

Blimey is it that time of year already?!

After the peaks and (at times pretty deep) troughs of last year, 2012 by contrast turned out to be rather unblemished professionally-speaking. In fact the goals that I set myself on January 1st were all met, with several surprise happenings of the happy variety also occurring, so I can’t complain eh? I don’t usually make New Year’s resolutions, but perhaps I ought to from now on - In fact, there’s the first...

Looking back I’m pretty staggered by the tally of achievements: In summary, 2012 was the year in which I released a semi-solo album, produced / arranged / mixed this and another critically acclaimed project, co-produced a third, began mixing another, mastered thirteen more (plus several standalone tracks), ran a successful crowd-funding (PledgeMusic) campaign, received generous reviews via the blogosphere and selected international print press, guested on numerous radio stations (inc. the BBC), got radio airplay via these and specialist web stations / podcasts, had my production / arrangement / mix work featured on an international cover-mount CD, appeared on a music industry panel, gave audio master-classes, launched my online film series, agreed to became a trustee of a wonderful arts organisation, and won the South West Music Awards 'Best Producer' accolade. And this is just the stuff I can recall off the top of my head.

It was also a year in which I met lots of great people and had the pleasure to work with some of them. My musical family continued to grow, but I still managed to see existing friends from afar playing up-close, which is always a pleasure. Plus, I turned some stuff down...

Thank you hugely to all who have been on the ride with me, and to the many (old friends and new) who’ve supported my work. It really does mean a lot :-) I can’t wait to see where the cards land at the end of 2013! There are several exciting projects already in the works that I haven’t yet fully announced, with others in the planning stages. Oh, and I’m continuing to listen to "the inner voice"...

"Happy New Year" folks!

Lee x

Sunday, 4 November 2012

[ 'best producer' award ]

On Thursday 1st November I was pleasantly surprised to be presented with the 'Best Producer 2012' award at the second annual South West Music Awards! I already knew that I was a nominee, which in itself was gratifying having largely been the result of a public vote, but taking the title was the icing on this shiny, inscribed, non-edible 'cake' :-)

Does it really matter? Well, no and yes... For me the creative process is never governed by outside critical forces, and that ain't gonna change. I don't need an industry pat-on-the-head in order to be musically motivated, and my approach won't alter one jot as a result of this accolade :-) Nonetheless, given the often remote nature of what I do the post-release period can be both rewarding and enlightening - Having let go of the completed work it's incredibly interesting (to me) to see where it flies and who it touches...

Whatever the stylistic nature of a project (be it my own material or an album I'm helping to facilitate) it's always my wish that it'll reach the widest audience possible, and catch new ears along the way. As an independent artist and producer operating without the muscle of a marketing juggernaut getting the music "out there" can be a hard slog, so receiving an award like this is undoubtedly helpful; and maybe, just maybe, as a result the work will travel a little further. Perhaps also one or two doors might be nudged ajar leading to as-yet unforeseen creative encounters? We'll see.

But you know, aside from the above rationalisation sometimes it's just nice to be recognised and told "hey, you're doing some good work". We're all human, and a little encouragement can go a hell of a long way in terms of fuelling our internal 'feel good' sensors :-)

Thanks to all who made this happen - It just so happens that it came at a good time personally for me.

Lee x

Saturday, 20 October 2012

[ faith @ burning shed ]

I'm delighted to announce that the limited hand-numbered / signed edition of 'Faith in Worthless Things' is now also available via the wonderful Burning Shed store; home to a myriad of excellent artists...

You'll find us in the Art Rock section. If you're not familiar with "The Shed" do have a look around - We're in extremely good company :-)

Lee x



Update: The initially allocated stock sold-out within just over a day! We've subsequently doubled that allocation, but orders are coming thick and fast so 'Shed customers are advised to move quickly... :-)

Monday, 15 October 2012

[ october update 2: reviews + radio ]

Generous reviews for 'Faith In Worthless Things' continue to come in, and here's a snippet from the latest penned by Roger Trenwith for the Dutch Progressive Rock Page (DPRP):

"Lee's words are from the heart and full of soul, and most importantly REAL. Some so-called lyric writers would do well to learn a thing or two from this man... With his first solo album Lee has stepped out from behind the mixing desk to reveal a burgeoning talent that deserves far wider exposure."

Thank you Roger! To read the full article at source click on the image below, or head over to the Reviews page here where I'm steadily adding recently published articles, (including this one).


In other news I'm pleased to announce that I've been booked to appear on John Govier's popular Saturday show for BBC Radio Devon on the 10th November. Guests tend to stick around for much of the show (which is broadcast live between 9am and 1pm) and interact with one-another on-air, so it could be lots of fun :-)


More updates soon... Be safe! :-)

Lee x

Monday, 8 October 2012

[ october news roundup ]

There's lots going on at present, so here's a whistle-stop roundup of recent happenings, inc. some fresh announcements:

I'm currently mixing the forthcoming album by Troy Jones titled 'New Peace'. Guest contributors include Adrian Belew and Tony Levin amongst others.

Recent mastering projects include 'Deep' - the imminent release from Stick Men (Tony Levin, Pat Mastelotto, Markus Reuter), Namgar's 'Dawn Of The Foremothers', and 'Believe It' by Ila & The Happy Trees.

I've been nominated in the 'Best Producer' category for the 2012 South West Music Awards. The event is on the 1st November, so we'll soon see the final outcome...

My documentary film project OLDER THAN GOD is now live, with the first two webisodes available and more planned on a monthly basis for roughly one year.

'Faith In Worthless Things' continues to be the major focus for me, with various associated projects coming up soon-ish. These include a special set of remixes from both guest contributors and myself, plus the first full-length promo video... Recent radio features are up on my Soundcloud page. Oh, and the album will also soon be available via the excellent Burning Shed store as well as my own Bandcamp site.

Finally, I've been updating and improving the web content here, including the addition of an Index to the Reviews page which is steadily being expanded. More reviews (some of which need translating) will join the ranks v-soon. Also the Discography section reflects recent releases, (though not yet any unreleased / forthcoming titles).

More soon - both here and via my official Facebook page, (feel free to "like" it to remain in-the-loop)...

Thanks, as always, for your interest & support!

Lee x

Wednesday, 3 October 2012

[ older than god ]

This week sees the (much delayed) launch of my OLDER THAN GOD film project / website. Here's the official web blurb to describe what it's all about:

"OLDER THAN GOD is a non-linear documentary film project that explores the creative life of musician & composer Markus Reuter. Featuring on-screen contributions from collaborators past and present, extensive interviews with Markus himself, and unique fly-on-the-wall footage the film casts new light on this multifaceted artist from a multitude of perspectives. Originally envisaged as a feature-length film the project (a zero-budget independent production filmed and edited by musical collaborator Lee Fletcher) lay untouched for 18+ months whilst audio productions took precedence. However in September 2012 the pair reconceived the film as a series of concise chapters, or webisodes, each focusing on a particular theme. The series is expected to run for many months and will doubtless evolve over time.

Potential future spin-offs include a soundtrack album and eventual DVD release when the web series is complete."

So there you have it! I'm thrilled to get this project moving again and finally out in the public domain after being on ice for a lengthy period :-) Music projects (such as my semi-solo album 'Faith in Worthless Things' and extensive production work on GRICE's 'Propeller', etc) have been my priority, and will largely remain so, however the monthly 'webisode' format will allow me to attend to OLDER THAN GOD in a more manageable fashion...


Related news, photos, and background info will also continue to be published via the official OLDER THAN GOD Facebook Page, as well as my own (Lee Fletcher: Official Facebook Page).

Lee x